Cada um dos três conta uma aventura sexual do passado ocorrida com alguma mulher da cidade. Após 15 anos sem se verem, três amigos (Marcos, Bruno e Guina) se reencontram durante um casamento na cidadezinha onde foram criados. Berthelsen, Sidse Babett Knudsen, Pilou Asb?k, Jens Jorn Spottag, Anette Stovelb?k, Jens Malthe N?sby, Jesper Lohmann, Jacob Ulrik Lohmann, Bodil Lassen, Kurt Ravn, Anne Louise Hassing, Stine Stengade, Christine Gjerulff, Kristian Halken, Steen Stig Lommer, David Dencik, Magnus Black, Lise Baastrup, Jakob Bjerregaard Engmann, Magnus Christensen, Kasper Dalsgaard, Henrik Blauner Clausen, Julie Carlsen, Joy-Maria Frederiksen, Curt Skov, Kim Skovgaard Govertz Jensen, Thoreau Arden Pedersen, Mathias Nymand, Maria Corydon, Mia Hojgaard, Anders Steensberg, Valdemar Larsen, Gudrun Holck. In addition, he must deal with his feelings for Kristine (Kraka Donslund Nielsen).Ĭast: Villads Boye, Kraka Donslund Nielsen, Frederik Winther Rasmussen, Anders W. The weeks leading up to his confirmation are difficult and turbulent, as Martin's father and older brother are distraught and Martin must try to keep the family together. In 1976 in provincial Denmark, 14-year-old Martin (Villads Boye) is about to be confirmed when his mother dies of cancer. It is based on a novel of the same name by Morten Kirkskov. Speed Walking (Danish: Kapgang) is a 2014 Danish drama film directed by Niels Arden Oplev. Men hvordan forholder man sig lige til det, nar ens far er ramt af sorg og vistnok opsoger byens lokale damefrisor efter morkets frembrud, nar nabokonen far t?sk af sin mand, kobenhavnersnuden Rolf, og man oveni skal planl?gge sin egen seksuelle debut og bordplanen til sin konfirmation?ĮN. For samtidig med at Martin er pa vej ind i de voksnes r?kker, er han blevet forelsket i Kristine og maske ogsa lidt i sin bedste ven, Kim. Nu ma Martin, hans far og storebror indstille sig pa en ny virkelighed, - en virkelighed som bade de og naboerne i den lille jyske provinsby handterer pa hver deres s?regne made. Omme, der star over for at blive konfirmeret, men i stedet for kastes ud i en meget turbulent tid, da hans mor - pludselig og uventet - dor af kr?ft. Filmen udspiller sig over et par uger i aret 1976 og handler om den 14-arige Martin fra Sdr. Share your views and stay tuned to The Indian Wire for more such articles.You have to register before you can post on our site. That’s how beautifully Mani Ratnam crafts and concludes the story. And post all these when Amudha finally stops crying and turns in Simran’s arm that’s where the title of the film gets its life, Kannathil Muthamittal (A Peck on the Cheek). The most important moment in the film is during the climax when Shyama (Nandita Das), Amudha’s biological mother takes her in her arms and they have a short yet heartwarming chat. And as they search for her biological mother, Ratnam further explores the sides of War, Life of Refugees, and their cycle of life which continues with misplacement and destruction. The prologue i.e the glimpse I mentioned takes us to long-lasting Sri Lanka and Refugees Connection. Further, we follow a deep insight into child psychology as she’s in desperate want to meet her biological mother. The conflict of the film arises when her parents Thiru (R Madhavan) and Indra ( Simran Bagga ) reveals Amudha that she’s an adopted child. Through Amudha’s voice, we are introduced to the world of Kannathil Muthamittal.Īnd she’s the one who introduces her world that is the characters revolving her life as it is her story. We are from the perspective of a nine-year-old girl and that’s where the magic lies, the moments are bigger and memorable. In a similar instance, this film begins with a prologue, then it takes us a period ahead. Talking about his 2002 film Kannathil Muthamittal, the structure of Ratnam’s storytelling goes as, A little glimpse of the main plot, Executed Drama, Arisal of Conflict, Then the fairy tale part and heading towards the Climax, a perfect conclusion of the story. The relatable characters, real locations make it more connective.
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I don’t know how to define it but it’s just something which makes me realize that it’s an Indian version. There’s a mood in every Ratnam film I’ve watched so far, which makes me connected to his stories.
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